My Ancient Mediterranean Series of watercolors is rooted in classical literature that has spun fascinating epics around the mythical cities of Troy, Pompeii, Atlantis, and others. Fictionalized throughout time until the last century when two of these fabled cities were revealed. The findings at these sites rewrote history and Pompeii particularly offers an unrivaled testament of daily life of a 2000 year old society suddenly frozen in time by the eruption of Mount Vesuvius on August 24, A.D. 79. I incorporate artifacts from these sites and interpret Plato’s allegorical description of Atlantis in my painting.
In “Daybreak At Pompeii”, I access the sunbathed blues, coppers, frescos of the public dining houses. The dawn of a warm Mediterranean day like all those before that would end all in a matter of hours,
Plato writes in the Timaeus And The Critias: “And Poseidon, receiving for his lot the island of Atlantis reined from his temple at the highest point stabling six winged horses, begat children by a mortal woman, and settled them in a part of the island which I will proceed to describe. On the side toward the sea, and in the centre of the whole island, there was a plain which is said to have been the fairest of all plains, and very fertile. Near the plain again and also in the centre of the island, at a distance of about fifty stadia, there was a mountain, not very high on any side...
Poseidon fell in love with her; and breaking the ground, enclosed the hill in which she dwelt all round, making alternate zones of sea and land, larger and smaller, encircling one another; there were two of land and three of water, which he turned as with a lathe out of the centre of the island, equidistant everyway ...” PLATO
Watercolor 30" X 48"
Archival quality giclee': signed, unframed print 30" X 48" $375.
Framing available